Cantos Comunes (common chants) , 2019
“Make a way for the wind.” - Yoko Ono Wind Piece, 1962
On April 18th, during the 2019 Havana Biennial, we curated and performed a series of Fluxus action based pieces, a FluxFest if you will, for the entirety of one day from 9am to 9pm.
This day-long suite of happenings curated by Díaz Lewis in collaboration with Benjamin del Castillo was comprised of new Fluxus-inspired artworks, interpretations of existing Fluxus scores and re-stagings of original historic Fluxus scores. Coinciding with the Havana Biennial, the event marked the launch of a burgeoning art venue - The Blockhouse - located in the Vedado neighborhood of Havana.
Though Fluxus - as an anti-establishment art movement - has inherently evaded definition since the 1950s, one thing that it has done consistently is to elevate or bring attention to the ordinary. The “ordinary” in Cuba is perpetually undefined. Quotidian objects and things are more open to transformation - to morph into new things. A tv table today is a cake stand tomorrow. If an object is not set and is therefore a trans-object, it can change its purpose and its form. So although, on one hand, Cuba is seen as a static place, economically and socially stuck in time, on the other hand, Cuban identity - like the character of Mackandal in Alejo Carpentier’s novel - is always transforming, in a constant state of flux.
Through a series of sincere gestures, we hoped to create an experience for subtle actions to attack the inertia of the historic with the constant flux of ordinary life.